Our techniques

What we do in practice: 
• Sound and music is the starting point
• Intensive interaction one to one with profoundly disabled children and young people
• We model and teach a culture of musical communication
• We use vibration boards, soundbeams, musical instruments, sound, silence, voice, music and story telling
• We facilitate playfulness in order to release staff’s inhibition around music making
• We look at what is the most effective way of working
• We use a range of approaches, suitable to the children and young people, the teachers and the schools
• We exemplify developing relationships – what unfolds, what opens up, what changes from this interaction

“The Soundabout trainer produced the most magical effect using the Soundbeam which he played onto the eyelids of a very delicate, profoundly disabled young lady. She, amazed by her own ability to create her own musical responses, then waited, absolutely still until he had replied to her. This continued for perhaps ten of the most spine-tingling minutes in my thirty year teaching career!”

Soundabout is not just about “making music”. It’s about using sound as a starting point for a wide range of learning opportunities. Our approach encourages creative expression and well-being and is creative, intuitive, person-centred and flexible. It draws on many years’ experience of working in interactive and musical ways, using techniques and approaches that almost anyone can master.

Our music-making techniques help to stimulate communication, learning and self-expression, enabling pupils who may be unable to hold an instrument or speak to make their own unique contribution.

Soundabout sessions are playful, intuitive and student-led as far as possible and all those who are involved are able to join in at a level that suits them. Nearly all pupils respond to and hugely enjoy music, and because the sessions are fun and relevant (building upon their abilities and choices), they become engaged and motivated to play an active role in influencing the content and flow of the interactive session.

“Soundabout techniques seem to have awakened responses unseen in David. A repetitive song was sung, using three names in the group. After several repetitions, we left out the name ‘David’. He slowly lifted his hand to his chest as if to indicate ‘me’. After doing this several times, we realised this was his clear intention. We were amazed!”